Overhead drum mics play an important part in drum recording. The most important aspect of sound capturing from overhead mics … mic positioning 13 correct ways to mic up a drum kit. Mod… They allow the drums to sound more realistic, natural, and authentic to a listener. If you have a very limited number of mics at your disposal — let’s say just two — these are likely to be overhead or room mics that help you get a balanced stereo image of the entire drum set as a whole. Kick Drum. As a general rule of thumb – at a minimum, you will need a mic placed on your kick drum, a mic placed on your snare, and a mic overhead to pick up the rest of the kit. Overhead Mic Placement: The Mic Angle and Your On-Axis Focal Point Adjusting the overhead mic angle is another tool to get your balance right. If you want to go to town, you could opt for the old boundary- microphone-inside-the-drum trick to catch the click of the beater and more definition and punch. There are lots of mic techniques for getting a great kick drum sound. Note: when placing drum mics, it’s important to remember that sticks and hands and cymbals will be falling very hard near them, so make sure your mics aren’t in the way of the player or a rogue ride cymbal. Drum Overhead Mic Placement. This article breaks down mic placement to the individual drum pieces. Put the mike inside the drum on the padding, pointing at the beater head. The overhead microphone, which is closest to the hihat is in this placement moved further away from the hihat, which can be a lifesaver if the hihat is a bit overbearing when played hard - since there is less of it in the overheads, it makes it easier for you to control with a close mic. Let’s walk through how to mic a drum kit, all the way from kick and snare to toms, overheads and rooms, including mic recommendations and placement. This Mic Placement Guide can be used as a starting set-up no matter how big the room is or if you are indoor or outdoor. The choice of mics and their placement around the drum kit can have a massive impact upon the recorded sound and, while there are no hard and fast rules when it comes to mic placement and choices, here we'll look at some of the most popular options for getting quick and easy results. We highly recommend looking over our best dynamic microphone article if you don’t have mics yet. The Best Overhead Drum Mics Buyer’s Guide. Shure’s SM91 and Sennheiser’s e901 are great to this end. The risk can be mitigated somewhat by keeping the two microphone capsules equidistant from the center of the snare drum -- but even then, the mic placement should be auditioned (in mono) to reveal possible problems with the kick, toms, or cymbals. You want to move the second overhead mic to the place above the drummer’s opposite shoulder that matches the same kick and snare distance. As he demonstrates how to mic up a drum kit, Jae takes some time to explain his microphone selection and placement, and why he’s making those choices. Some drummers and audio engineers, however, do not stop there. Kick drums come in lots of sizes, from big, wide Bonham-style 14″ x 26″ bass drums to much smaller kick drums. In a live setting, the biggest challenge most engineers face is getting the most gain without feedback, and the noise onstage and from the venue’s mechanical systems typically masks finer details like the noise floor of the mics. Use these templates as a foundation and get creative! What you want to be "on-axis" is dependent on what you choose as the focal point for the overhead mics.